
“She would still be alive if I had never moved to Los Angeles,” West would say later, expressing his feeling of guilt in an interview with Q Magazine. “I want to forget and stop hating,” he wrote in a message he posted on Twitter.Īfter undergoing liposuction and a breast reduction, Donda, then 58, left the operating room apparently in good health, but died at home the next day. Several years have passed since West, 44, announced in an unorthodox fashion that this latest work would be dedicated to his mother he did so by sharing a text conversation with a friend along with a photo of the plastic surgeon who operated on her the day before her death. But just hours after it hit streaming services on Sunday, the artist complained on social media that Universal Music Group had released it without his approval. His first long-awaited release since 2019, Donda is not just the rapper’s post-pandemic comeback, but also a love song to his mom who died in November 2007.

Rapper Kanye West had never made a secret of his devotion to his late mother, Donda West, and has now named his 10th studio album after her. Two deluxe edition box-sets of the film were also announced for release on 11 December 2020 both sets contain a Blu-ray of the film with a 5.1 DTS-HD Master Audio mix packed in a VHS-inspired box, a vinyl and cassette containing select tracks from the film as well as a comic of the film's story among other items.Kanye West and his mother Donda West in May 2007, months before she died.
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The film was announced on 11 August 2020 and was scheduled for release on 17 August 2020 in a one-night only IMAX cinema release, with a download and streaming release a few days later on 21 August. It was planned for a general cinematic release, but this was abandoned due to the COVID-19 pandemic. Bellamy described the film as Muse's version of Pink Floyd – The Wall (1982), combining musical and dramatic scenes. Both the concert footage and the additional narrative scenes were directed by Lance Drake, who had previously worked with the band, directing the music videos for all 5 of the singles from Simulation Theory. Muse's performances at the O2 Arena, London, on 14–15 September 2019 were filmed. The NPC closes the film by stating that while The One may have saved this reality, there are more. After a climactic battle, The One prevails and defeats the Truth Slayer. The One gains access to the mainframe, gaining the power of a glove, and confronts the Truth Slayer. The Truth Slayer then breaks out of his containment and a hero, known as "The One" (Matthew Bellamy), enters the same reality to stop him from gaining control of more. The NPC then take control of the news broadcasts and puts words in their mouths, stating that the virus is a hoax and that "there is nothing to fear".

The media reports on the virus and large sections of London are quarantined off to curb the infection rate, with multiple NPCs coming to fight off the infected people. The NPC explains that due to a tear in their reality, a deadly virus has been released and a new entity, known as the "Truth Slayer", is being created. A mysterious woman then appears and reveals that she is an NPC from the "mainframe". After being pulled back to his reality, he is then bitten by a mysterious phantom, causing him to become infected with an unknown pathogen and mutate into a monster. One of the scientists called Murphy, touches the cabinet, causing him to break the fabric of his reality and is transported into another one where he finds himself in the crowd of a live Muse concert. "Metal Medley" (Extracts from " Stockholm Syndrome", "The Handler", " Assassin" and " New Born")Ī group of scientists are sent to investigate a mysterious source producing unknown paranormal activity, which leads them to a concert stage located in London with an arcade cabinet on it."Algorithm" (Alternate Reality version).The omitted songs included " Plug in Baby", " Hysteria", " The 2nd Law: Unsustainable", " Time is Running Out", " Reapers" and " Knights of Cydonia". Some songs were shortened and re-ordered from how they were played live for the film, and multiple songs performed were omitted.

The songs featured in the film primarily focus on songs from the Simulation Theory album, but multiple other songs from previous Muse albums are also included, as well as additional film pieces composed by Matt Bellamy. The film primarily consists of live concert footage of Muse's shows at the London O2 Arena in September 2019, with an overarching narrative tying the songs together.
